Ceiling repair, hole patching, cracks, water damage, and texture matching in Richardson — done by a crew that only repairs drywall.
Richardson has real mid-century housing stock, and that changes the work in ways that matter.
These are homes with decades behind them — decades of soil movement, decades of roofs, decades of paint. The drywall in them has been repaired before, often more than once, and part of what we do here is dealing with what the last person left.
Blackland clay swells when it takes on water and shrinks when it dries. Your house rides that. Drywall does not.
This is what popcorn ceiling removal is for. This is where Richardson gets demanding. Older textures came out of different equipment with different mud, and a lot of them have been painted over enough times that the pattern has softened. Reach for a modern standard tip and the patch will be flat, sound, and instantly visible.
Matching means reading what is actually on the wall — droplet size, spacing, how much it was flattened, which direction any strokes run — and then testing off the wall until it comes out right. It takes longer than the patch does.
our water damage work covers this in detail. Decades of seasonal clay movement produce exactly what you would expect. Door corners, ceiling seams, wall-to-ceiling junctions upstairs.
That is where patch repairs comes in. And ceilings. Older roofs mean older leaks, and even where the roof has long since been fixed, the stain is often still there. A lot of our Richardson ceiling work is damage whose source died years ago and the homeowner finally got tired of looking at it.
Need this handled? See repairing cracks properly. Plus the ordinary holes.
Older homes have been worked on. Some of that work was good and some of it was not, and we spend real time here on the second category.
The signature of a bad patch is always the same: the hole is filled fine, the patch is structurally sound, and there is a visible soft-edged rectangle around it that catches the light. That is compound that stopped four inches from the hole instead of feathering out. The fix is floating it back out properly, which means going over work someone already paid for.
The other common one is a crack that was filled instead of taped, and has therefore reopened along the identical line. That gets cut open, taped, and floated for real.
Neither of these is a criticism of the homeowner. They are what happens when drywall is a sideline for whoever did it.
If your Richardson home is from the popcorn era and you have ceiling damage, there is a conversation worth having before anyone scrapes anything. Texture from before the early 1980s can contain asbestos, and we do not scrape untested material from a home of that age. Testing is cheap and fast and it settles it.
If it comes back clean and you have damage to chase across a popcorn ceiling, removal sometimes costs less than the match. We will give you both numbers.
Richardson is the shortest run on our map from Plano. Call, describe the damage, and tell us roughly how old the house is — with Richardson that genuinely changes what we bring. Photo helps. Free virtual estimate from a photo, so you have the number first.
Call, describe the damage, and tell us the era of the house. With Richardson that matters — mid-century stock and later stock are different jobs, and the texture question is usually the deciding one.
Photo if you can. Free virtual estimate from a photo — the number free, before anyone drives out. Floors protected, texture matched, room clean when we leave.
A lot of Richardson homes are from the popcorn era, and if yours has ceiling damage there is a conversation to have before anyone touches it.
Popcorn texture applied before the early 1980s can contain asbestos. If your home is from that era and the texture has never been tested, we do not scrape it. Not as a formality — scraping asbestos-containing texture aerosolizes it through your house, and that is a genuine exposure for you, your family, and whoever is holding the scraper.
Testing is inexpensive and fast and it ends the question. If it comes back positive, that is abatement work for a licensed contractor, not us. If it comes back clean, we can get to work.
If the test is clean and you have damage to chase across a popcorn ceiling, there is a real decision to make. Matching a patch into aged, painted popcorn is one of the hardest matches in this trade, and if there are several repairs on one ceiling you are paying for several difficult matches that all have to agree with each other.
Often, removing the popcorn entirely and refinishing the ceiling costs less than chasing those matches — and you end up with a ceiling you actually like instead of one where you know exactly where to look. We will give you both numbers and let you decide.
Worth setting expectations if you go the removal route.
What is under popcorn is almost never a finished ceiling. The texture was sprayed on precisely because it hid the finish work — the seams got taped to a minimum standard and the fasteners got a single pass, because everyone involved knew it was going to be covered.
Take the texture off and all of it is exposed: every tape line, every fastener dimple, every place someone did the least they could get away with in 1974. All of that has to be re-floated before the ceiling can take a smooth or a light knockdown finish.
That is not an upsell. It is just what is up there, and a removal quote that does not include it is a quote from someone who has not done many of these.
If you take the popcorn off a Richardson ceiling, you have a decision to make about what replaces it. Both answers are defensible.
It is the modern look and it is clean. It is also the least forgiving finish that exists. There is no stipple to break up a shadow and no pattern to hide a wave, so a smooth ceiling is a public statement about how well it was floated.
Which is fine — if it was floated properly. That is exactly why the refloat after scraping matters so much, and why a cheap removal quote that skips it gives you a smooth ceiling with every old tape line showing through.
Still current, considerably more forgiving, and it is what most newer homes in the metro have anyway. If the rest of your house has a texture, matching the ceiling to it usually looks more intentional than a single smooth ceiling among textured ones.
It is genuinely a preference call and we will do either. What we will not do is talk you into smooth and then skimp on the floating underneath it.
One more thing about Richardson ceilings, which applies to any ceiling but matters most on the older ones we work on here.
A ceiling has nowhere to hide. Walls get furniture in front of them and art hung over them. A ceiling is bare, and light from your windows rakes across it at a low angle all day long. That angle turns every ridge of compound and every texture transition into a visible shadow.
It is why a repair that would pass without comment on a wall will fail overhead, and why we float ceiling work considerably wider than wall work — often eighteen inches or more out from the seam. The material is identical. The physics of finishing it are not.
Full sheet removal and replacement when a patch is not the right call.
Learn more →Water stains, sagging seams, and cracked ceiling panels cut out and rebuilt flat.
Learn more →Doorknob punches, TV mount tear-outs, and accidental holes patched and blended.
Learn more →Soft, stained, or bubbling drywall removed back to sound material and replaced.
Learn more →Settlement cracks at corners and seams cut, taped, and finished so they stay closed.
Learn more →Drywall repair looks simple until the patch shows through the paint. Here is what we do differently.
We are not a general remodeler that also patches walls. Drywall repair is the entire business, so the crew that shows up has done your exact repair many times over.
A patch that is flat but wrong-textured is still a visible repair. We match orange peel, knockdown, and hand textures so the wall reads as one surface.
Drywall work makes dust. We mask off, protect floors and furniture, and leave the room usable when we go.
Some damage needs a patch. Some needs a sheet replaced. We tell you which one you actually have before any work starts.
We are based in Plano and cover Richardson as part of a deliberately tight North Dallas service area. It is how the schedule stays honest and how we get to your repair when we said we would.
Yes. Richardson is inside our regular North Dallas service area and we take jobs across the whole city, not just the parts near our Plano base. Call (972) 469-5046 and tell us the cross streets if you want to confirm.
Pricing starts at $300 for any job, however small. Beyond that it depends on the size of the damage, the texture that has to be matched, and how many coats the finish needs. Text a photo for a free virtual estimate and we will give you a real number rather than a range.
Virtual estimates are free — text or email a photo and we come back with a real number, no charge and no obligation. In-person estimates are $100, credited back against your job when you book with us.
Most Richardson repairs are booked within a few days, and a texted photo lets us confirm the scope before we drive out. If it is urgent, say so on the call and we will tell you honestly what the route allows.
The whole area sits on Blackland clay, which swells when it takes on water and shrinks when it dries. That movement travels up through the foundation and the drywall telegraphs it — usually as diagonal cracks at door and window corners and hairlines along ceiling seams. It is the regional signature, not a sign the house is failing.
Yes, and it is most of the job. We match to what is actually on your wall — orange peel, knockdown, or a hand-applied texture — rather than to a standard tip, so the repair disappears instead of showing up as a patch at the wrong angle.
Just the drywall — that is deliberate. We cut, hang, tape, float, and texture-match, and we do not paint, frame, or remodel. When your repair needs a plumber or a roofer first, we will tell you and wait rather than close a wall over a live problem.
It is, but here is the honest advice: if you only have one small hole, wait until you have a list. Several repairs in one visit cost barely more than one, because the coats all dry in parallel. That is the cheapest way to use us and almost nobody thinks of it.
Yes, and the first question is whether the source is dead. A stain that has not grown in a year is a dead source and we can move immediately; one that grew after the last rain needs the leak fixed first. Send a photo of the whole stain and we can usually read it from the shape.
Call (972) 469-5046 and describe it. Straight answer on what it needs.
Call (972) 469-5046